The justly celebrated Black, Brown & Beige, although in dramatically reduced form from its original 44-minute score, as performed at Carnegie Hall in January 1943 (see Prestige 2PCD-34004), is here offered in a February 1958 recording that utilizes only the first of the three movements, albeit in different permutations. In addition to the music heard on the original Columbia LP, we now have 10 more tracks, inclusive of alternate takes of Parts I-VI, two pieces not intended for inclusion in BB&B, “Track 360” (or “Trains”) and “Blues in Orbit” (or “Tender”), both of which are alternates, and a previously unissued a cappella version of Mahalia Jackson singing the “Come Sunday” theme. It is especially instructive to note how Duke reassigned solo parts in order to compensate for Johnny Hodges’ absence from the band during this period.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro