Using a cast of 23 top jazz soloists and sectionmen, versatile arranger Don Sebesky has put together yet one more paean to the compositions, if not the style, of Duke Ellington. The primary soloists are altoman/clarinetist Phil Woods, trumpeter/flugelhornist Tom Harrell, trombonist Bob Brookmeyer, pianist Jim McNeely, guitarist/vocalist John Pizzarelli, bassist Ron Carter and drummer Dennis Mackrel. As a writer, Sebesky seems more interested in using well-known Ellingtonian songs, such as “Mood Indigo,” “Creole Love Call,” “Chelsea Bridge,” “Caravan,” “Warm Valley,” “Satin Doll” and “Ko-Ko,” than in presenting other, often equally worthy numbers that in many cases have not been heard since their initial recording. Of course, one way around the charge of over familiarity is to alter Duke’s harmonies and voicings to the point that this small book of “oldies, but goodies” becomes something quite other than a humble tribute. In addition to his reframing of standard material, Sebesky also offers his own “Joyful Noise Suite,” which is divided into three sections, “Gladly,” “Sadly,” and “Madly,” whose titles are so well chosen as to obviate the need for verbal description.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro