This is straightahead salve for the soul. Pianist Hazeltine and bassist Peter Washington form the core of these sessions; they are joined by drummer Joe Farnsworth on three tracks, one of them featuring vibist Steve Nelson, and on the remaining five tracks by tenor saxophonist Javon Jackson and drummer Louis Hayes. The band knows how to lay behind the beat, as on the lilting title track, and how to stay on top of it, as on Hazeltine’s other composition, “This One’s for Bud,” a bright tribute to one of his pianistic inspirations. They tear through Trane’s “Moment’s Notice,” and swing broadly through “Old Devil Moon,” where Nelson’s vibes glow fiercely. “My Foolish Heart” opens the session, phrased with a triplet rush at the end of each line that provides a thematic handle for the soloists. Sophisticated but immediate, this session satisfies.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro