Note to liner note writers: If you want readers to notice a trumpet player’s originality, don’t start the notes by mentioning the artist’s adoration of Miles Davis. It makes readers feel like they’re being whacked with the obvious stick and doesn’t bode well for what they’re about to hear. Note to readers: Don’t let the notes taint your perception of Song for Amy (Steeplechase), the recording debut of Dave Scott’s quintet. True, the seven Scott originals bear more than a passing similarity to mid-1960s Davis albums, due to the way the leader blends with Rich Perry’s pensive, Shorter-esque solos and the tendency of the rhythm section (pianist Gary Versace, bassist John Hebert, drummer Jeff Williams) to bend and stretch the tempos between solos. But Scott, who also leads a co-op quintet with tenor saxophonist Tony Malaby and has played in the big bands of Clark Terry and Tom Harrell, is using a sturdy template to introduce his own ideas. Tracks like “Vindaloo” and the exciting, 13-minute “Profound Dilution” prove that this band should be feted for its originality and cohesion.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro