On Road To Zen (Eureka/Discovery 77061; 46:56) guitarist-vocalist Corey Stevens plays well and sings like Eric Clapton, which ain’t bad. Better than most blues pretenders but still anemic by Howlin’ Wolf standards. Stevens’ L.A. rock influence comes through on most of this rock-blues outing, particularly on poppy material like “Only One For You,” “One More Time” and “Take It Back.” He affects a crystalline Mark Knopfler-Dire Straits sound on the title track, then goes for the throat with raucous grunge tone abandon on “Charles Bronson Vibe,” a song in praise of vigilantism. “Big House Blues” sounds like a Rick Derringer rip off while his straightforward slow blues on “Blues Are Here To Stay” owes a debt to Stevie Ray Vaughan. Stevens plays it nasty on the Stones-ish blues-rocker “My Neighborhood” and he breaks out the wicked Jimi-SRV wah-wah licks on the organ-driven “Too Much Fun?” Mildly engaging with some nice Strat work, but nothing all that deep here.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro