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Classic OKeh & Columbia Benny Goodman

Benny Goodman performs for a young audience in Red Square (Moscow, Soviet Union, 1962).

When one thinks of the orchestra of Benny Goodman, the “King of Swing,” it is of his breakthrough big band of 1935-38, the one that launched the swing era and featured the likes of Harry James, Gene Krupa, Ziggy Elman and (in Goodman’s trio and quartet) Teddy Wilson and Lionel Hampton. While that was BG’s most influential period, the truth is that the brilliant clarinetist cut some of his most exciting and adventurous recordings during 1940-42, when the swinging charts of Fletcher Henderson were joined by more advanced and unpredictable arrangements from Eddie Sauter and Mel Powell.

Mosaic’s limited-edition, seven-CD Classic Columbia and OKeh Benny Goodman Orchestra Sessions (1939-1958) includes all of the instrumentals Goodman cut for Columbia with his big bands, plus a few obscure vocals by Fred Astaire, Cootie Williams and the clarinetist himself. (Not included here are 42 more elusive alternate takes that have been released over the years by collector-geared labels.) The 1940 recordings feature such major soloists as trumpeters Cootie Williams and Billy Butterfield, the valuable trombonist Lou McGarity, pianist Powell and the leader. Highlights include “Zaggin’ With Zig,” “Superman,” “Moonlight on the Ganges,” “Scarecrow,” “The Count,” “The Earl” and “Clarinet à la King.” In addition, the enthusiastic 1945-46 band is well represented, there are three numbers from 1958, and rare albums from 1951-52 that have Goodman playing either Fletcher Henderson arrangements or being backed by a string section are reissued in full. It does seem strange that in later years Goodman neglected to revive the Sauter and Powell charts, for those challenging arrangements really pushed him to play at his most creative.

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