Branford Marsalis, heaven sent and hellbent, is on a mission to prove the long-suspected notion that music is a many-genred thing. On Music Evolution, the second album by his band Buckshot LeFonque, Marsalis touches base with a myriad of ideas: hip-hop replete with rap-bits (including Laurence Fishburne’s patter on “My Way (Doin’ It),” smooth-edged R&B tunes sung passionately by Frank McComb, and mixing up electronic and acoustic sources, jazz and fonque (David Sanborn makes a cameo), pop and rap. Suddenly, from another corner of the musical spectrum comes “Jungle Grove,” with its flurrying hard-bop horn chart over a hyperactive drum machine part, and heated solo flights. Around other corners come the moody suavity of “Weary with Toil,” the rap-in-Rio scheme of “Samba Hop,” and the fetching Crusaders-esquerie of “…And We Out” to close. The sum effect of the album suggests a free-form radio show with an accent on African-American culture lineage. Even when the seams of cohesion threaten to rip apart, you can’t help but admire the idealism underscoring the grooves.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro