On Black Orchid (Black Orchid Music BOM001; 72:44), the Brad Upton Quintet in places hits just the dramatic, atmospheric tone it seems to search for. Trumpeter Upton has an introspective style which lends itself well to moody introspection-a voice used to great effect when the compositions lean towards either fusion trips (like “I Adore You,” with its breathtaking solo flights and neat bass-doubles-trumpet melodic figure) or small-scale intimate pieces (“Moondream,” which counters Upton’s long, meditative lines with Mitchell Long’s pretty acoustic guitar texture). The band is more than competent, moving through tight changes on the dramatic “For Jaco,” which builds to a heady, offbeat workout, and the evocative “Windhorse,” which molds a seductive trumpet line into almost a spiritual call to the road. The anomaly here comes in ballad mode, when slowburn grooves become slightly lethargic and ordinary (album opener “Groove II” is an example). These few instances feel like commercially driven tack-ons to an otherwise interesting record.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro