This is the best kind of homage. When Bob Mintzer looks back at Basie, it’s with respect, not with intent to imitate. Mintzer has his own agenda: Basie-inspired arrangements, but with writing that is fresh, lively, occasionally tongue-in-cheek, always swinging.
The 17-piece band of New Yorkers responds to the charts with a healthy appreciation for Basie-type dynamics, and Mintzer rewards them with ample stretch-out solo space. “One O’Clock Jump” builds great concerted momentum, yet ends teasingly, with a fragmented, near-Dixieland postscript. “Cute” has a Bill Holman-type flavor in its voicings. On “Li’l Darlin’,” the guys seem to be walking on eggshells: It is beautifully restrained, lagging behind the beat just right; unfortunately, the trademark guitar arpeggio is virtually obscured.
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.