With an all-star band at his disposal, legendary saxophonist/composer/arranger Bill Evans struts, dabbles and steps out with Touch (Zebra ZD 44016-2; 57:37). The highs here are extremely high-Evans captivates on the stuttering, strutting “Nashville Cowboys,” which pairs his melody with the cornered, spindly guitar work of Victor Bailey, and takes off like a rocket on the trippy, city-frenetic paced “Dixie Hop,” which features a blast of a duel between Evans and trumpeter Wallace Roney. With a tip of the hat to the modern, Evans addresses groove-driven pieces with mixed results. Where “One Wild Ride” is anchored by his breathtaking tenor spirals and solid horn harmonies, the midnight urbanscape “Remembering Those Times” simply takes too long to get off its disco-fied groove and get going. There are more stops on this tour, however, with Evans showing a lyrical side on the long soprano melody lines of “Little Hands, Little Feet,” and building to a ripping exercise in hard-fusion dynamics on “Back to the Wall.”
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Kurt Elling: Man in the Air
Nate Chinen makes the argument that Kurt Elling is the most influential jazz vocalist of our time
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro