It’s rare for a guitarist to act selflessly and even rarer for him or her to compose with ambition. Anthony Wilson, whose leader work may have finally outshined his gig as a Diana Krall sideman, makes the ensemble and the music his first priority on Power of Nine. As overstated as it might sound, Power of Nine communicates an elegant authority similar to that of Oliver Nelson’s seminal Impulse! recordings, particularly Blues and the Abstract Truth. Wilson’s horn arrangements, like Nelson’s, breathe and swell in spacious, majestic statements and often demand more attention than the solos. The two albums also share the sparkling clarity in production that audiophiles crave.
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