Imagine hot diamonds wrapped in moiré silk and you’ll begin to understand the singular magnetism of French diva Anne Ducros. She can echo the thundering power of Aretha Franklin (if, that is, Franklin sang with a charming Marielle Mathieu lilt). She can smolder with Marlene Dietrich intensity. She’s a kitten with tiger claws. Her scatting suggests the majesty of Sarah Vaughan, yet also rivals the authority of Carmen McRae. She can transform “Stairway to the Stars” into five-and-a-half minutes of euphoric foreplay, reinvent Lennon and McCartney’s “Sexy Sadie” as sultry celebration of female empowerment, reveal the optimistic lining within the dark cloud of “Who Can I Turn To,” harness the hard-won fulfillment of Otis Redding’s “(Sittin’ on) the Dock of the Bay” and soar on the wings of an “Over the Rainbow” that seems equal parts Eartha Kitt and Annie Ross. Through it all, she remains a musician’s musician, woven so tightly with pianist Olivier Hutman, bassist Essiet Okon Essiet, drummer Bruce Cox and saxophonist Ada Rovatti that the results are seamless.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro