In approaching this project, pianist and arranger Allen Farnham turned a challenge into an opportunity. Here are the factors: confidence in the musicians of the RIAS (Radio in America Sector-without question, this must be Berlin!). Big Band, under the direction of trombonist Jiggs Whigham; concern about scant rehearsal time; key soloists to include, in Hendrik Muerkens on harmonica and Chris Potter on tenor sax; a successful rhythm section coming together for Farnham in New York, with Chris Berger on bass and Tim Horner on drums. The solution: “a sort of ‘concerto grosso’ thing,” setting up the quintet and the full ensemble to play off one another. And play they do: Farnham’s workout on Nat Adderley’s “Work Song,” for example, opens with the quintet following a given path, and then veers into a very different feel as the whole band attacks. Worth mentioning: Potter’s feature spot on “My Foolish Heart,” and Coltrane’s “Cousin Mary,” which closes the set.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro