Three words into “You’re My Everything,” the first track on Allan Harris’ debut disc, It’s a Wonderful World, recorded back in 1995, and the eerie vocal resemblance to Nat “King” Cole became evident. On subsequent albums-Setting the Standards (with its startlingly Cole-esque “On the Street Where You Live”), the Strayhorn tribute Love Came, even on Harris’ ambitious, self-penned Cross That River, an examination of African-Americans’ previously unsung contributions to settling the Western frontier-the echo of Cole grew steadily more arresting. So, it only makes sense that Harris has decided to devote an entire platter to Cole songs. The project began with a 10-day tour of Israel with a Cole tribute show. Harris was then invited to recreate his Cole homage at the Kennedy Center, and had the foresight to record the proceedings. Hence, this 13-track salute, which covers the entire spectrum of Cole’s three-decade vocal career, from “Straighten Up and Fly Right” to “L-O-V-E.” The principal focus is on Cole’s more pop-oriented hits from the 1950s, with renditions of “Too Young,” “Mona Lisa,” “A Blossom Fell,” “Pretend,” “Non Dimenticar” and “Unforgettable,” all carefully crafted to mirror the million-selling originals. Wisely, though, Harris recognizes that no one could replicate the fogged fragility of Cole’s “Nature Boy,” so he opts for a more muscular treatment that serves Eben Ahbez’s haunting treatise on reciprocal love equally well.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro