Kurt Elling

Kurt Elling
By Jeff Sciortino
Kurt Elling
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Kurt Elling channels Ol' Blue Eyes
By Ed Berger
NEA Jazz Masters at IAJE
By Tom Pich
Kurt Elling at home
By Jim Newberry
Kurt Elling
By Jeff Sciortino
Kurt Elling
By Tiff Pemberton
Kurt Elling
By Enid Farber
Kurt Elling & Patricia Barber
By Michael Jackson
Kurt Elling with Jason Mraz at 2010 Grammy Awards
Kurt Elling at 2010 Tanglewood Jazz Festival
By Ken Franckling
Competition judges: Dee Dee Bridgewater, Al Jarreau, Dianne Reeves, Patti Austin, Kurt Elling
By Steve Mundinger
Kurt Elling
Kurt Elling
Kurt Elling
Kurt Elling in performance at Montgomery County Community College in Blue Bell, Pa.
By Ben Johnson
Kurt Elling in performance at Montgomery County Community College in Blue Bell, Pa.
By Ben Johnson
Kurt Elling in performance at Montgomery County Community College in Blue Bell, Pa.
By Ben Johnson
Kurt Elling in performance at Montgomery County Community College in Blue Bell, Pa.
By Ben Johnson
Kurt Elling in performance at Montgomery County Community College in Blue Bell, Pa.
By Ben Johnson
Kurt Elling
Kurt Elling
By Elliot Mandel

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Kurt Elling is among the world’s foremost jazz vocalists. He has been named “Male Singer of the Year” by the Jazz Journalists Association on half a dozen occasions in the past ten years, and during the same interval has beenthe perennial winner of the DownBeat Critics Poll. He is also a Grammy winner, and every record he has made has been Grammy nominated.

Elling’s rich baritone spans four octaves and features both astonishing technical mastery and emotional depth. His command of rhythm, texture, phrasing, and dynamics is more like a virtuoso jazz instrumentalist than a vocalist. His repertoire includes original compositions and modern interpretations of standards, all of which are springboards for inspired improvisation, scatting, spoken word, and poetry.

Declared The New York Times, “Elling is the standout male vocalist of our time.” Said The Washington Post, “Since the mid-1990s, no singer in jazz has been as daring, dynamic or interesting as Kurt Elling. Wit his soaring vocal flights, his edgy lyrics and sense of being on a musical mission, he has come to embody the creative spirit in jazz.” He has been featured in profiles for CBS Sunday Morning, CNN, on Ramsey Lewis’s Legends of Jazz, and in hundreds of publications.

Elling has recorded and/or performed with an array of artists, including Terence Blanchard, Dave Brubeck, Jon Hendricks, Charlie Hunter, Al Jarreau, Christian McBride, and Kurt Rosenwinkel. He served as the Artist-in-Residence for the Singapore Music and Monterey Jazz Festivals. He has also written multi-disciplinary works for The Steppenwolf Theatre and the City of Chicago. The Obama Administration’s first state dinner featured Elling in a command performance.

Elling is a renowned artist of vocalese—the writing and performing of words over recorded improvised jazz solos. The natural heir to jazz pioneers Eddie Jefferson, King Pleasure, and Jon Hendricks, Elling has set his own lyrics to the improvised solos of Wayne Shorter, Keith Jarrett, and Pat Metheny. He often incorporates images and references from writers such as Rilke, Rumi, Neruda, and Proust into his work. The late poet and Bollingen Prize winner Robert Creeley wrote, “Kurt Elling takes us into a world of sacred particulars. His words are informed by a powerful poetic spirit.”

In 2010 Elling completed an extensive tour with the Monterey Jazz Festival All-Stars and staged Passion World, a commissioned event for Jazz at Lincoln Center with French accordion virtuoso Richard Galliano, singing songs of love and loss in five languages.

The Gate, Elling’s much anticipated new recording, opened 2011. Produced by the legendary Don Was (The Rolling Stones, Bonnie Raitt, Bob Dylan), Elling’s latest offering features inspired interpretations of songs by The Beatles, Herbie Hancock, Miles Davis, and Stevie Wonder. Certainly among his strongest albums, The Gate may well be the finest of his career.


CLOSE YOUR EYES, 1995 (Blue Note). Kurt Elling’s recording career began at age 27 with the release of Close Your Eyes. Most of the songs on the album were part of a demo which was the catalyst in his obtaining a recording contract with Blue Note. Co- produced by Elling and his collaborator, pianist Laurence Hobgood, the album featured the first incarnation of the Kurt Elling Quartet and introduced many signature aspects of the singer’s sound: vocalese versions of jazz compositions and improvised solos, the melding of poetry and music, and original compositions. Close Your Eyes secured Elling his first Grammy nomination.

THE MESSENGER, 1997 (Blue Note). His second Blue Note recording cemented Elling’s critical reputation (along with that of Hobgood) as a producer, arranger, and composer. Re-workings of the standards “Nature Boy” and “April in Paris” set the stage for a suite of Elling/Hobgood originals and more vocalese. Said the Chicago Sun-Times, “More than any mainstream singer to come along in recent times, Elling thrives on free expression…but as much of a wild streak as all this suggests, Elling imparts a sense of being in complete control of his destiny.”

THIS TIME IT’S LOVE, 1998 (Blue Note). Elling’s third recording was a romantic outing that opened with “My Foolish Heart,” still a staple of Elling’s live shows. This Time It’s Love addressed the theme of love with hip arrangements of jazz standards and new Elling/Hobgood compositions. DownBeat gave the recording four-and-a-half stars and said, “Again, the singer reveals his grand gift for vocalese lyrics.” The record earned Elling his third Grammy nomination.

LIVE IN CHICAGO, 2000 (Blue Note). The next Grammy-nominated release was recorded live at Chicago’s storied Green Mill Lounge, Elling’s home and long-time artistic base. Comprised largely of previously unrecorded material, the album featured Elling singing with jazz legend Jon Hendricks and blowing by Chicago tenor greats Von Freeman, Ed Petersen and Eddie Johnson. Elling pushed the boundaries of vocalese on “Night Dreamer,” Wayne Shorter’s signature composition. “This CD,” wrote the Jazz Educators Journal, “reflects Elling’s utterly creative genius.”

FLIRTING WITH TWILIGHT, 2001 (Blue Note). Elling’s fifth recording, Flirting With Twilight presented a collection of timeless songs set against spare, yet gorgeous, horn arrangements—and featured an all-star rhythm section of collaborator Hobgood on piano, bassist Marc Johnson (Bill Evans, Steps Ahead) and drummer Peter Erskine (Weather Report, Steely Dan). DownBeat exclaimed, “Nothing prepared me for Elling’s accomplishment o ‘Flirting With Twilight,’ a cohesive, highly personalized exploration of twelve demanding love songs…which he addresses with the legato grace of a master ballroom dancer.” JazzTimes added, “With ‘Flirting With Twilight’ ...Kurt Elling continues his triumphant reign as the thinking man’s vocalist.” Flirting With Twilight garnered two Grammy nominations, including one for Laurence Hobgood’s arranging.

MAN IN THE AIR, 2003 (Blue Note). For his sixth Blue Note record, Man In The Air, Elling wrote and performed lyrics for nine jazz classics. Writers as diverse as Pat Metheny, Herbie Hancock, John Coltrane, Bobby Watson, and Joe Zawinul all received an Elling treatment. The album featured an epic seven-minute vocalese of “Resolution,” the second movement on John Coltrane’s A Love Supreme. Biographer Lara Perigrinelli wrote, “The success of these pieces tends to hinge on vocal control, sonic atmosphere, and use of space. Their lyrics follow suit. Elling wrestles with themes of love, life, loss, and the indefatigable human spirit in all of their complexities without allowing himself to indulge in clichés or platitudes.” Then, having fulfilled his contractual obligation to Blue Note, Elling joined the Concord Music Group.

NIGHTMOVES, 2007 (Concord). For his first outing on the Concord/Universal label, Elling conjured a noir-ish exploration of life between dusk and dawn. With guests Howard Levy, Romero Lumbambo, Christian McBride and Bob Mintzer, the newdisc featured Elling’s own writing alongside that of Duke Ellington, Betty Carter, and Antonio Carlos Jobim. Said JazzTimes, “If there is a royal bloodline of male jazz singers, I’d suggest it progresses from Satchmo to Mel Torme, to Jon Hendricks to Mark Murphy to Kurt Elling. While there are plenty of clever jazz lads around with noble ambition, none show any sign of trumping (or even echoing) Elling’s kaleidoscopic amalgam of gifts.”

DEDICATED TO YOU: KURT ELLING SINGS THE MUSIC OF COLTRANE AND HARTMAN, 2009 (Concord), was recorded live at Lincoln Center, and is a showcase for Elling at his most expansive. The concert was built on arrangements created by long-time collaborator Hobgood for voice, rhythm section, the Ethel Quartet and tenor saxophonist Ernie Watts. Released in June 2009, the recording was praised by Billboard as “a moving tribute to legends lost and a portrait of a gifted artist in his own right at the peak of his creative powers.” The BBC declared, “Elling is just as engaging and creative working with standards as he is when he’s turning a Walt Whitman poem into vocal art.” Following Grammy nominations for every record made as a leader, Elling finally received a Grammy in the “Best Jazz Vocal Album” category.

—Special Projects—

In 1998, Elling undertook a critical, multi-dimensional exploration of the life and work of Beat poet Allen Ginsberg at Chicago’s Steppenwolf Theatre. The Chicago Tribune said, “Elling turned a fairly predictable surveyof Beat Literature into a more balanced view of a key chapter in American history. Here was an evening of poetry and music informed by a sense of morality, as well as an aversion to politically correct points of view,” calling it “audacious…provocative.” This show was also mounted at The Kennedy Center, Philadelphia’s Annenberg Center, and at Ireland’s Galway Festival.

One year later Elling was commissioned to create an event fusing jazz and modern dance, this time featuring his wife, dancer Jennifer Elling. Said the Chicago Sun-Times, “Having risen as a jazz singer on the wings of modern poetry, including his own, Elling is in full thrall of art’s interactive possibilities.” The Chicago Tribune proclaimed, “Because spoken word, subtle lighting design, fluid stage direction and a heady spirit of improvisation all play key roles, the evening touches on more aesthetic forms than one generally encounters in a week’s worth of concert going. It’s difficult to single out highlights.”

As a result of the foregoing, The City of Chicago commissioned Elling to write, direct, perform in, and host a major event for its millennial celebration. Elling’s production, “This Is Our Music, These Are Our People,”featured blues great Buddy Guy, the late author and historian Studs Terkel, word jazz artist Ken Nordine, saxophonist Von Freeman, poet Gwendolyn Brooks, members of the Joffrey Ballet, Ed Paschke’s and Tony Fitzpatrick’s visual art, and a ninety-voice gospel choir. The Chicago Tribune called the result “Stirring…magical.”

In 2001, Elling created another new work for the Steppenwolf Theatre. For this production, entitled “LA/CHI/NY,” he invited one poet and one musician from each of America’s three great cities to bring the sounds of their environments to the stage. The Chicago Tribune opined, “Elling might truly be able to change the way audiences think about jazz, poetry and life in America.”

The following year Elling produced the vocal summit “Four Brothers” at Chicago’s Park West Theater, which featured Elling, Mark Murphy, Kevin Mahogany, and Jon Hendricks. A cross-generational tribute to the art of singing jazz, “Four Brothers” toured Europe and the U.S. in 2003-04 to much acclaim. A final blowout performance in the summer of 2005 occurred in Chicago’s Millennium Park—a concert which featured Sheila Jordan in the fourth spot and was aptly named “Three Brotha’s and a Motha.’”

In 2004, Elling was invited to perform and record a groundbreaking work by pianist and composer Fred Hersch, who created a song cycle based on words from Walt Whitman’s Leaves of Grass, rendered by a ten-piece chamber jazz ensemble with vocal performances by Elling and Kate McGarry.

In 2006, as Artist-in-Residence at the 49th annual Monterey Jazz Festival, Elling teamed up with composer/bassist John Clayton to create “Red Man/Black Man.” Here Elling juxtaposed his own writing with the works of Native Americanpoets—most notably Maurice Kenny and, once again, the late Pulitzer Prize winner Gwendolyn Brooks—in a musical setting that featured the Clayton/Hamilton Orchestra.

In addition to his work as an artist, Kurt Elling served as a National Trustee for the National Academy of Recording Arts and Sciences (NARAS) beginning in 1999, and he was later elected Vice Chair of the 17,000-member service organization. While Vice Chairman, Elling helped create and hosted the first two annual Recording Academy Salutes to Jazz and oversaw the creation of the Academy’s Lifetime Achievement and Trustees Awards Review Committee.

In 2004 Kurt Elling was elected to join the Illinois Delegation to the Democratic National Convention as a John Kerry Delegate. Elling also acted as Master of Ceremonies at a jazz-oriented “Fundraiser for Change” in 2008 at the 92nd Street Y in Manhattan, which featured Roy Haynes, Brad Mehldau, Dianne Reeves, Jeff “Tain” Watts, Charlie Hunter, Roy Hargrove and others. Elling later gave a command performance at The White House for President Obama’sfirst state dinner, where Elling was accompanied by the National Symphony Orchestra conducted by Marvin Hamlisch.


Artist’s website


Articles on Kurt Elling

12/19/16    Chops    By Shaun Brady

Chops: Deft Poetry

03/13/16    Farewells    By Kurt Elling

Kurt Elling Remembers Mark Murphy

07/27/15    Albums    By Christopher Loudon

Passion World
Kurt Elling

04/22/15    News    By JazzTimes

Kurt Elling to Release New Album, “Passion World”

12/16/12    Vox    By Christopher Loudon

1619 Broadway: The Brill Building Project
Kurt Elling

12/10/12    Artist's Choice    By Kurt Elling

Artist's Choice: Kurt Elling on Recent Vocal-Jazz Innovation

10/13/12    Voices in Jazz    By Roseanna Vitro

Kurt Elling: Keeper of the Flame

04/10/12    News    By JazzTimes

‘Kurt Elling Swings Sinatra’ Coming to NYC

03/22/12    In Person    By Lee Mergner

Kurt Elling: Straight Ahead

02/14/12    In Person    By Lee Mergner

Laurence Hobgood: The Spirit of Collaboration

02/12/12    Concerts    By Lee Mergner

The Jazz Cruise: Hanging around the Crow’s Nest, Jan. 29 - Feb. 5, 2012

12/15/11    Concerts    By Karen Brundage-Johnson, PhD.

Kurt Elling in Blue Bell, Pa., 12/3/11

10/26/11    Concerts    By Jeff Tamarkin

Kurt Elling at Birdland, 10/25/11

09/22/11    News    By Jeff Tamarkin

Kurt Elling to Perform Six-Night Residency at NYC’s Birdland

08/11/11    News    By Jeff Tamarkin

Jazz Tribute to Joni Mitchell Coming to Hollywood Bowl

07/08/11    Concerts    By Christopher Loudon

TD Toronto Jazz Festival 2011: To Jazz or Not to Jazz?

06/19/11    News    By Lee Mergner

JazzWeek Announces Awards for Jazz Radio

04/03/11    News    By Lee Mergner

The Jazz Cruise: All Aboard for Jazz

03/21/11    Features    By Nate Chinen

Kurt Elling: What Makes a Jazz Singer

09/09/10    Concerts    By Ken Franckling

Tanglewood Jazz Festival: Blend of Jazz & Classical

05/13/10    News    By Aubrey Everett

Tanglewood Jazz Festival Calling for Submissions

04/28/10    News    By Lee Mergner

Detroit International Jazz Festival Announces 2010 Lineup

03/24/10    News    By Lee Mergner

Kennedy Center Announces 2010-2011 Season of Jazz Concerts & Events

December 2009    The Gig    By Nate Chinen

Kurt Elling: Man in the Air

October 2009    Vox    By Christopher Loudon

Dedicated to You
Kurt Elling

October 2009    Vox    By Christopher Loudon

Dedicated to You
Kurt Elling

09/22/09    News    By Lee Mergner

Berklee Beantown Jazz Festival in Full Swing in Boston

05/05/09    News    By Jeff Tamarkin

Vocalist Kurt Elling to Release Live Tribute CD

04/01/09    News    By Jeff Tamarkin

Monterey Jazz Festival Announces Headliners

03/19/09    News    By Jeff Tamarkin

Jazz At Lincoln Center Announces 2009-10 Season

December 2008    News    By George Varga

Jazz for Obama: Democratic Jazz Party

April 2008    News    By Evan Haga

IAJE Conference and NEA Jazz Masters: Notes from the Great White North

May 2007    Albums    By Christopher Loudon

Kurt Elling

December 2006    Cadenza    By Gary Giddins

The Thrill of Brazil

09/19/06    Concerts    By Scott Yanow

Monterey Jazz Festival 2006

September 2006    Final Chorus    By Nat Hentoff

Kurt Elling: Being Fully in the Moment

December 2004    Big Bands    By Harvey Siders

Live at MCG
Bob Mintzer

December 2004    Big Bands    By Harvey Siders

Live at MCG
Bob Mintzer

09/16/04    Concerts    By Larry Appelbaum

25th Thelonious Monk International Jazz Vocals Competition

December 2003    Features    By Lara Pellegrinelli

Singing for Our Supper

December 2003    At Home    By John Dugan

Kurt Elling

September 2003    Albums    By Christopher Loudon

Man in the Air
Kurt Elling

December 2001    Albums    By Christopher Loudon

Flirting With Twilight
Kurt Elling

June 2000    Albums    By Joel Siegel

Live in Chicago
Kurt Elling

December 1999    Features    By Neil Tesser

Patricia Barber & Kurt Elling: The Art of the Song

June 1999    Albums    By Josef Woodard

This Time It's Love
Kurt Elling

September 1997    Albums    By Chuck Berg

The Messenger
Kurt Elling



This Time It's Love

Blue Note Records

The Messenger

Blue Note Records

Live in Chicago

Blue Note Records

Flirting With Twilight

Blue Note Records

Man in the Air

Blue Note Records

Leaves of Grass

Palmetto Records

Live at MCG

MCG Jazz


Concord Records

Dedicated to You

Concord Jazz
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