Just in case you aren't familiar with Béla Fleck, there are some who say he's the premiere banjo player in the world.. Others claim that Béla has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Béla, you know that he just loves to play the banjo, and put it into unique settings.
Born and raised in New York City, Béla began his musical career playing the guitar. In the early 1960's, while watching the Beverly Hillbillies, the bluegrass sounds of Flatt & Scruggs flowed out of the TV set and into his young brain. Earl Scruggs's banjo style hooked Béla's interest immediately. "It was like sparks going off in my head" he later said.
It wasn't until his grandfather bought him a banjo in September of '73, that it became his full time passion. That week, Béla entered New York City's, High School of Music and Art. He began studies on the French horn but was soon demoted to the chorus, due his lack of musical aptitude. Since the banjo wasn't an offered elective at Music & Art, Béla sought lessons through outside sources. Erik Darling, Marc Horowitz, and Tony Trischka stepped up and filled the job. Béla joined his first band, "Wicker's Creek" during this period. Living in NYC, Béla was exposed to a wide variety of musical experiences.. One of the most impressive was a concert by "Return to Forever" featuring Chick Corea and Stanley Clarke. This concert encouraged further experimenting with bebop and jazz on the banjo, signs of things to come.
Several months after high school, Béla moved to Boston to play with Jack Tottle's Tasty Licks. While in Boston, Béla continued his jazz explorations, made two albums with Tasty Licks, and at 19 years old made his first solo banjo album Crossing the Tracks, on Rounder Records. This is where he first played with future musical partners Sam Bush and Jerry Douglas.
After the break up of Tasty Licks, Béla spent a summer on the streets of Boston playing with bass player, Mark Schatz. Mark and Béla moved to Lexington, KY to form Spectrum, which included Jimmy Gaudreau, Glen Lawson, and Jimmy Mattingly. Spectrum toured until 1981. While in Spectrum, he and Mark traveled to California and Nashville to record his second album Natural Bridge with David Grisman, Mark O'Connor, Ricky Skaggs, Darol Anger, Mike Marshall, and other great players.
In 1981, Béla was invited to join the progressive bluegrass band New Grass Revival, lead by Sam Bush on mandolin, fiddle and vocals. With the addition of Pat Flynn on guitar and NGR veteran John Cowan on bass and vocals, New Grass Revival took bluegrass music to new limits, exciting audiences and critics alike. Through the course of five albums, they charted new territory with their blend of bluegrass, rock and country music. The relentless national and international touring by NGR exposed Béla's banjo playing to the bluegrass/acoustic music world.
(During the 9 years Béla spent with NGR he continued to record a series of solo albums for Rounder, including the ground breaking 1988 album "Drive". He also collaborated with Sam Bush, Jerry Douglas, Edgar Meyer and Mark O'Connor in an acoustic super group called Strength in Numbers. The MCA release, "The Telluride Sessions", is also considered an evolutionary statement by the acoustic music community.
Towards the end of the New Grass years, Béla and Howard Levy crossed paths at the Winipeg Folk Festival. Next came a phone call from a friend who wanted to introduce him to an amazing bass player. Victor Lemonte Wooten played some licks on the phone for Béla and the second connection was made. In 1988 Dick Van Kleek, Artistic Director for the PBS Lonesome Pine Series based in Louisville, Kentucky, offered Béla a solo show.
Béla put several musical sounds together with his banjo, a string quartet, his Macintosh computer and also the more jazz based combo. Howard and Victor signed on for the concert, but the group still lacked a drummer. The search was on for an unusual drummer/percussionist. Victor offered up his brother Roy Wooten, later to become known as FutureMan. Roy was developing the Drumitar (Drum - Guitar), it was then in its' infancy. A midi trigger device, the drumitar allowed FutureMan to play the drums with his fingers triggering various sampled sounds. The first rehearsal held at Béla's Nashville home was hampered by a strong thunderstorm that knocked the electricity out for hours. The four continued on with an acoustic rehearsal and the last slot on the TV show became the first performance of Béla Fleck and the Flecktones.
Next came the self-titled CD, which Béla financed himself. The recording attracted the attention of the folks at Warner Brothers Records. It was released in 1990, dubbed a"blu-bop" mix of jazz and bluegrass, and soon became a commercially successful disc. The album was Grammy nominated, and their second recording "Flight of the Cosmic Hippo" followed suit. Howard Levy toured and recorded with the Flecktones till the end of 1992. After several years as a trio and touring with special guests, saxophonist Jeff Coffin joined the Tones. Famed for a non-stop touring schedule, the Flecktones have reached more than 500,000 audience members yearly from 2001 on.
Still releasing albums and touring, the Tones have garnered a strong and faithful following among jazz and new acoustic fans. They have shared the stage with Dave Mathews Band, Sting, Bonnie Raitt and the Grateful Dead, among many others, made several appearances on The Tonight Show in the Johnny Carson days and the Jay Leno days, as well as Arsenio Hall, and Conan O'Brian. Béla also appeared on Saturday Night Live and David Letterman's show as well.
Although the first Flecktones albums were created live-in-the-studio, the group went on to experiment with overdubs and guest artists on later albums, with contributions from artists as diverse as Chick Corea, Bruce Hornsby, Branford Marsalis, John Medeski, Andy Statman, the Alash Group and Dave Matthews. The Flecktones went on tour with Dave Matthews Band in 1996 and 1997, and Fleck is featured on several tracks on DMB's 1998 album "Before these Crowded Streets." In 2003, Béla Fleck & the Flecktones released the landmark three-disc set "Little Worlds" simultaneously with a highlights disc entitled Ten From Little Worlds.
In 2006 the band released The Hidden Land, which won the Grammy for Best Contemporary Jazz Album in 2007.
In 2008, Jingle All The Way, the band's holiday album was released, and in 2009 it was voted best Pop Instrumental Album at the Grammies.
Any world-class musician born with the names Béla (for Bartok), Anton (for Dvorak) and LÈos (for Janacek) would seem destined to play classical music. Already a powerfully creative force in bluegrass, jazz, pop, rock and world beat, Béla at last made the classical connection with "Perpetual Motion", his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including Best Classical Crossover Album, in the 44th annual Grammy Awards.
(Collaborating with Fleck on "Perpetual Motion" was his long time friend and colleague Edgar Meyer, a bassist whose virtuosity defies labels and also an acclaimed composer. In the wake of that album's release, Fleck & Meyer came up with the idea of a banjo/bass duo, which they developed and refined during a concert tour of the US. Live recordings from that tour are the basis for their latest Sony Classical recording "Music For Two" which also includes a bonus DVD featuring a documentary film by Sascha Paladino (Fleck's brother) that captures the duo's collaboration and crafting of repertoire while on tour. Béla and Edgar also co-wrote and performed a double concerto for banjo, bass and the Nashville Symphony, which debuted in November 2003.
The recipients of Multiple Grammy Awards going back to 1998, Béla Flecks' total Grammy count is 11 Grammys won, and 27 nominations. He has been nominated in more different categories than anyone in Grammy history.
Articles on Bela Fleck
11/21/15 Albums By Mac Randall
10/28/15 Photos By Mark Robbins
08/17/15 News By JazzTimes
04/04/13 The Wilmeth Wyvern By Tom Wilmeth
08/07/12 Albums By Michael J. West
09/02/11 News By Jeff Tamarkin
07/08/11 Concerts By Christopher Loudon
06/23/11 Features By Jeff Tamarkin
06/14/11 Concerts By Evan Haga
05/24/11 Albums By Mitch Myers
05/24/11 Albums By Mitch Myers
05/03/11 Concerts By Perry Tannenbaum
03/04/11 News By Lee Mergner
10/28/10 Innerviews By Anil Prasad
05/06/10 News By Lee Mergner
05/04/09 Concerts By Bill Milkowski
04/14/09 Concerts By Chris Heim
07/03/07 Concerts By Bill Milkowski
July/August 2007 Features By Bill Meredith
July/August 2007 Albums By Will Smith
April 2006 Albums By Bill Milkowski
April 2006 Albums By Bill Milkowski
January/February 2006 DVDs By Larry Appelbaum
08/02/04 Concerts By Larry Appelbaum
November 2003 Currents By Lucy Tauss
10/26/02 Concerts By Chris Walker
May 2002 Albums By Lucy Tauss
12/07/01 Concerts By Bill Milkowski
November 2000 Currents By Hilarie Grey
April 2000 Currents By Hilarie Grey
May 1998 Albums By Nancy Ann Lee
March 1997 Albums By Deni Kasrel
Events featuring Bela Fleck
- "Made In America": An All-Star Jazz Benefit
- Stanley Clarke Scholarship Concert
- Toronto Downtown Jazz Festival 2004
- Béla Fleck’s Africa Project featuring Oumou Sangaré and her Band, at Caramoor
- Bela Fleck's Africa Project at Uptown Theater in Kansas City, MO
- Litchfield Jazz Festival 2010
- Savannah Music Festival
- Burlington Discover Jazz Festival
- Bohemia JazzFest
- 2012 Savannah Music Festival
- 2012 CARAMOOR INTERNATIONAL MUSIC FESTIVAL
- Caramoor 2012 Jazz Festival
- Zakir Hussain/Béla Fleck/Edgar Meyer
- Bela Fleck – Solo
- Béla Fleck’s Banjo Summit
- Bela Fleck
- Jazz at Lincoln Center Orchestra with Wynton Marsalis • Chick Corea and Béla Fleck
- Chick Corea and Bela Fleck at The Ferguson Center for the Arts