Philip Booth
Philip’s Contributions
05/24/13 Albums
Jaleel Shaw
The Soundtrack of Things to Come
How best to make a musical representation of a visual medium? That, in effect, was one challenge alto saxophonist Jaleel Shaw faced when putting together The Soundtrack of Things to Come , the Philadelphia native’s rangy, accomplished third album as a leader...
04/10/13 Albums
The Greg Abate Quintet Featuring Phil Woods
Greg Abate
Greg Abate’s latest is a decidedly meat-and-potatoes affair, a straight-ahead outing on which the saxophonist is joined by one of his major influences, alto master Phil Woods. No-frills doesn’t mean no thrills, however, as there’s much pleasure to be had...
03/29/13 Albums
Sensing Flight
The O'Farrill Brothers Band
Sibling-led jazz bands aren’t particularly rare. The Latin-jazz side of the street alone has recently brought the likes of impressive groups led by brothers with the surnames Rodriguez and Curtis. Now comes the O’Farrill Brothers Band, with trumpeter Adam...
03/25/13 Albums
Sam Newsome
The Art of the Soprano, Vol. 1
The Art of the Soprano, Vol. 1 isn’t Sam Newsome’s first solo soprano saxophone recording, but it may be the most provocative and most complete of a trio of albums including 2009’s Blue Soliloquy and 2007’s Monk Abstractions . Newsome takes an organic, whole...
03/09/13 Albums
Reunion
Gene Bertoncini/Mike Mainieri/ Michael Moore/Joe Corsello
Palpable feelings of warmth and intimacy ooze through the sonic pores of Reunion, a relaxed gathering of longtime musical associates led by journeyman guitarist Gene Bertoncini. Those sensations come partly by default, thanks to the acoustic instrumental...
02/14/13 Albums
Thank You Les
Lou Pallo of Les Paul's Trio with Special Guests
Several generations of guitarists have been inspired by the playing—and electric guitar and recording inventions—of the late Les Paul. He never really retired, instead spending his golden years playing Monday nights at the Iridium in Manhattan and extending...
02/09/13 Albums
Not Getting Behind Is the New Getting Ahead
Charlie Hunter/Scott Amendola
In these undesirable economic times, it’s good that Charlie Hunter can get things done without a lot of fuss. He performed the music for his latest CD live in the studio sans aural enhancements, EQ or overdubs, recording straight to tape in an “almost mono”...
01/23/13 Albums
Lucky 13
Javon Jackson with Les McCann
Javon Jackson’s simultaneously brawny and brainy tenor sound, burly and commanding but also capable of surgical precision, is well featured on Lucky 13 , not coincidentally his 13th album as a leader. Having graduated from the schools of Art Blakey, Elvin...
01/15/13 Albums
Coexist
Winard Harper and Jeli Posse
The drummer gives the saxophonists some on Coexist , another round of sophisticated truth telling from Winard Harper that demonstrates high standards of musical excellence when it comes to expansive compositions, creative arrangements and choice of able...
12/28/12 Albums
3 Brave Souls
John Beasley/Darryl Jones/Ndugu Chancler
What happens when three veterans of Miles’ bands of the early ’70s through late ’80s, all of whom have also supported high-profile pop and rock tours and recordings, join forces for their own project? 3 Brave Souls , featuring the talents of journeyman pianist...
12/19/12 Albums
GRP 30
Various Artists
Dave Grusin and Larry Rosen officially launched GRP in 1982, applying high standards for audio production to recordings featuring jazz masters (Dizzy Gillespie, Gerry Mulligan) as well as fast-rising newcomers. The label made an enormous impact on the smooth...
11/26/12 Albums
Samba Jazz—Jazz Samba
Duduka da Fonseca Quintet
Duduka Da Fonseca, the Brazilian-born New York drummer and percussionist probably best known as a member of award-winning cooperative Trio da Paz, in recent years has placed a greater emphasis on his quintet with tenor saxophonist and clarinetist Anat Cohen...
11/08/12 Concerts
Concert Review: Christian McBride Trio, St. Petersburg, Florida
World-class bassist and young accompanists shine in eclectic set
11/04/12 Albums
Renaissance
Marcus Miller
Fastest, most melodic thumb in jazz-funk or not—and on many days, he deserves that title—bassist-producer-composer Marcus Miller wields that digit in a manner that’s impossible to ignore. He does that instantly identifiable thing he does with great panache...
10/17/12 Albums
Our Thing
Roni Ben-Hur/Santi Debriano Featuring Duduka Da Fonseca
The occasion that produced Our Thing , a set of exquisitely played originals, jazz standards and Jobim tunes, must have been darn picturesque: Guitarist Roni Ben-Hur and bassist Santi Debriano played in a 12th-century church at Festi Jazz, the summer festival...
09/11/12 Albums
The Long Waiting
Kenny Wheeler Big Band
More than two decades have passed since the great England-based brass man and composer Kenny Wheeler last led his own big-band recording. But neither time nor encroaching age—Wheeler turned 82 in January—have dimmed the Canadian-born master’s passion for...
About Philip Booth
Longtime arts journalist and bassist Philip Booth has been playing and writing about music since the era when lime-green leisure suits weren't yet considered abominations. The Florida native, pop music critic for the Tampa Tribune from 1988 to 1996, contributes coverage of jazz, rock, Americana, blues, world music and other genres to Billboard, Down Beat, Jazziz, Bass Player, Relix, the St. Petersburg Times and Las Vegas City Life, and his byline additionally has appeared in many other publications. Booth produced and played on a 1996 Thelonious Monk tribute disc, "Monk in the Sun," featuring Nat Adderley, Jeff Berlin, and Kenny Drew, Jr., and his now-defunct jamband Ghetto Love Sugar played major festivals and venues around Florida. But he counts a one-off teenage gig with Bo Diddley, during his college years at the University of Florida, as his true brush with fame. When not writing or playing upright and electric bass with Trio Vibe and other groups, Booth watches movies, pursues fiction writing, and spends time with his wife Callie and their two children.

















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