Expertly crafted 'pieces replicate the equipment of icons
Saxophonist Noah Preminger and the art of originality
Yamaha’s Custom Z soprano sax is a sharp new horn from a company that’s had it right since day one
The first person to apply lacquer to a brass instrument must have considered it an act of great aesthetic consequence. No longer would the horn be a mere assemblage of keys, pads and springs. It was now a shiny, golden decorative object, suited for life...
Chris Kelsey says that RS Berkeley’s Virtuoso saxophones aim for that vintage-Selmer vibe
This set’s title suggests small strands coming together to form a greater whole, which is indeed an important aspect of Bill Dixon’s conception. Yet tapestries are inert, and Dixon’s music is not. It might move slowly much of the time, but it most certainly...
German woodwind master offers a perfectly balanced sort of avant-jazz
Ellery Eskelin’s determination to do his own thing at all costs might not have made him a household name, but it’s made him one of the most consistently interesting tenor saxophonists in jazz, which is undoubtedly what he set out to do anyway. He’s joined...
With names like Alphonse Mouzon, Roy McCurdy and Azar Lawrence listed on the sleeve, you could be forgiven for expecting this to be either a re-release or a new release of a session recorded in the ’70s. Yet the music was recorded recently, and while some...
Tenor and soprano saxophonist Trygve Seim and accordionist Frode Haltli are joined on Yeraz by a third, non-corporeal member: silence. The space around and between the pair’s improvised exchanges exerts a powerful, nearly tangible presence, contributing...
An air of impulsive surrender suffuses this music, as if Ravi Coltrane aimed to embody Lennie Tristano’s musical philosophy of intuition and feeling. From E.J. Strickland’s cascading, rainstick-like drumming and Drew Gress’ malleable bass lines, to Luis...
In the interest of full disclosure, I should confess: There’s never been a time in my musical life when I didn’t own at least one Yamaha saxophone. The first horn I could really call my own was a Vito alto, which was basically a Yamaha stencil (although...
George Garzone’s Tenor Wisdom Virtuoso mouthpiece craftsman Jody Espina expands into the instructional DVD market with The Music of George Garzone & the Triadic Chromatic Approach, a comprehensive presentation of the ideas behind the music of Berklee and...
It’s no surprise that Greenleaf label owner Dave Douglas likes what he hears in the young bassist/composer Michael Bates, a musician who, like Douglas himself, evidences multifarious musical interests. From the Stravinsky-esque “Great Exhibition” to the...
Much of this music sounds like it could have been the soundtrack to a ’50s movie set in post-WWII Japan, one featuring big-band tunes played by a combination of traditional jazz instruments and indigenous Asian instruments. Unlike many recent fusions of...
Drummer Ari Hoenig is well known to habitués of Smalls, the downtown NYC club that for many years has fostered young jazz talent away from the spotlight that shines on larger, higher-profile venues. Hoenig’s recordings on the club’s associated label have...
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