Nate Chinen

Nate’s Contributions

11/22/13    The Gig

The Gig—Well, You Needn't Compete

How good is good enough for the Monk Competition? How good is too good?


11/10/13    Features

Ralph Alessi as Sideman: 5 Essential Examples

Supporting Ravi Coltrane, Fred Hersch, Uri Caine and more


11/09/13    Features

The Brilliant, Contradictory World of Ralph Alessi

Studying contrasts


10/18/13    The Gig

The Gig: Laurie Frink

Requiem for a Brass Saint


09/04/13    The Gig

The Gig: Jazz's Post-Masculine Era?

The long path to acceptance for female jazz musicians


07/18/13    The Gig

The Gig—Behold the Jazzbro

Like it or not, he speaks for you. Wooo!


06/14/13    The Gig

The Gig: Darn That Stream

To be there or not to be there

05/13/13    The Gig

The Gig: Left, Right & Lincoln Center

Departures, crossovers and agents of change


05/08/13    Features

Bassic Training: Christian McBride Picks 5 Formative Tracks

From Bootsy to Jaco, the bassist knows his bassists


05/07/13    Features

Christian McBride Lays Down Roots

At 40, the gifted and ubiquitous bassist mentors an impressive new generation


04/12/13    The Gig

The Gig: The Geezers & the Punks

The jazz generation gap


03/13/13    The Gig

The Gig: Remembering Pete La Roca Sims

School of La Roca


02/01/13    The Gig

The Gig: 2012 in Gigs

Nate Chinen's most memorable shows of the past year


12/20/12    The Gig

Nate Chinen's The Gig: On Set

To wait to review or not to wait: good question


11/21/12    The Gig

The Gig: In the Tradition(s)

Karriem Riggins broadcasts on multiple frequencies


10/14/12    The Gig

The Gig: Jacob Garchik's 'Atheist Gospel Trombone Album'

Recording the "unrecordable'

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About Nate Chinen