The disparate influences of drummer-composer Mike Pride bleed into one another in distinct and surprising ways on his two very different new releases. A powerhouse presence in the jazz, hardcore and metal realms, Pride spotlights the myriad ways those seemingly...
On his first trio album consisting solely of original music, the pianist invokes his heroes
A vocalist rediscovers her South Korean heritage with understated strength
Sunny Sides: 5 must-hear recordings
A sampler of the work of the versatile drummer
Partially inspired by personal tragedy, the drummer reinvigorates his career
A drummer/bandleader composes from the bottom up
There’s no shortage of documentation of Steve Lacy’s early 1970s work, but that doesn’t make rediscoveries like this 1972 concert from Lisbon any less welcome. This show finds soprano saxophonist Lacy and his quintet in particularly combustible form. The...
The title of U.K. quartet Get the Blessing’s third album, OC DC , explicitly references two of their prime inspirations, Ornette Coleman and Don Cherry. At the same time, it winkingly acknowledges Australia’s greatest hard-rock export. The band’s iridescent...
The trumpeter-composer on his epic masterwork, 'Ten Freedom Summers'
Remarkably, despite their heftily prolific discographies and the fact that their list of collaborators comprises a Venn diagram with little non-overlapping space, Altitude marks the first time that Joe Morris, William Parker and Gerald Cleaver have worked...
While on tour in Australia in January 2007, the Esbjörn Svensson Trio spent two days in Sydney’s Studio 301, jamming in order to workshop new material. Prior to his tragic death in a scuba diving accident a little more than a year later, Svensson had edited...
Composition is a challenging and elusive craft at the best of times, so it’s undeniably impressive that the Proverb Trio can practice it spontaneously with such cohesion and invention. The trio, led by Dafnis Prieto, collectively improvises songs based around...
The adventurous vocalist finds common ground with a free-jazz trio
Multireedist John Surman’s first solo effort in nearly two decades is a deeply autobiographical affair, consciously evoking his youth in the English West Country. The title, Saltash Bells, references the chimes of a church in Cornwall that Surman recalls...
Multi-instrumentalist Joe McPhee and Norwegian bassist Ingebrigt Haker Flaten have been collaborating for the better part of a decade, chiefly through McPhee’s work with Flaten’s agro-jazz trio The Thing. Their second duo release is a far more restrained...
About Shaun Brady
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Shaun Brady joined the JazzTimes community on Jun 17, 2008