Michael J. West
Michael J.’s Contributions
The very presence of a harp, Carol Robbins’ instrument, can cloak jazz in the veneer of new age. On Moraga , it does, and the Windham Hill vibe is amplified by low-key tunes and the presence of Gary Meek’s soprano saxophone and Larry Koonse’s classical guitar...
Angelic Warrior is a veritable almanac of the alto saxophone in contemporary mainstream jazz. Tia Fuller gives her distinctive sound a full and exhilarating workout, with bop (“Cherokee”), Coltrane-esque modal jams (“Royston Rumble”), Caribbean flavor (“Descend...
Weather Report’s first six albums, as Bill Milkowski reflects in the notes for Columbia’s collection thereof, saw the fusion legends move from “an electric avant-garde band that appealed strictly to the cognoscenti” to “a ferocious groove-oriented juggernaut...
With a few exceptions, trumpeter/flugelhornist Nadje Noordhuis’ debut recording is all soft-colored, European-inspired melodies and gentle rhythms. It’s an extremely muted album, in other words, but that fact doesn’t diminish its power. Noordhuis has a sweet...
The arrangements that organist Greg Lewis uses on Organ Monk: Uwo in the Black , his second quartet album of guess-whose music, show little to no deviation from Monk’s. Instead, Lewis expresses his astonishing originality through his aggressive instrumental...
Defining success in today's online music biz
The trumpeter discusses his quintet music, his prolific output and more
11/04/12 Overdue Ovation
A prolific trumpeter fluent in jazz, classical and more
A look at the best music apps for jazz fans and musicians
The Kennedy Center's long-running event continues on the path laid down by its founder, Dr. Billy Taylor
7-string guitarist gets a push from John Pizzarelli
Featuring a quintet drawn from the University of Toledo’s Jazz Studies faculty (of which the headliner, saxophonist Gunnar Mossblad, is head), CrossCurrents won’t blunt criticisms that contemporary jazz is abstruse and too, well, academic. Its 11 original...
Dr. Charles Limb researches the neurological miracles behind jazz improvisation
Across the Imaginary Divide ’s stylistic blend works best when tilting in banjoist Béla Fleck’s direction. It’s not that pianist Marcus Roberts falls short in either playing or concept, embracing old-school traditions as well as modernism. Far from it. Roberts...
Guitarist Joel Harrison doesn’t repeat himself. His last three albums included a long-form fusion soundscape, acoustic Americana and a with-strings tribute to Paul Motian. His two fine new releases, Holy Abyss (a collaboration with bassist Lorenzo Feliciati...
Harmonica player Grégoire Maret’s self-titled leader debut couldn’t have featured any other instrument. It’s full of delicate arrangements that a more powerful ax would crush. Ironically, the harmonica is the album’s major problem. Specifically, Maret’s...
About Michael J. West
Michael J. West has loved jazz since he was a teenager in North Carolina, but it wasn't until moving to the big city--Washington, D.C.--after college that he became a devoted fanatic. In addition to JazzTimes, he covers jazz for the Washington City Paper. His work has also appeared in the Village Voice, TBD, Jazz.com, the Monterey County Weekly and the East Bay Express. West lives in D.C., near the "jazz district" of U Street, with his wife and daughter.
Michael J. West has loved jazz since he was a teenager in North Carolina, but it wasn't until moving to the big city--Washington, D.C.--after college that he became a devoted fanatic. In addition to JazzTimes, he covers jazz for the Washington City Paper. His work has also appeared in the Village Voice, TBD, Jazz.com, the Monterey County Weekly and the East Bay Express.
West lives in D.C., near the "jazz district" of U Street, with his wife and daughter.
Michael J. West joined the JazzTimes community on Jun 13, 2008