Life in Real Time , recorded live at the Berklee Performance Center in Boston last year, is both familiar and not. The familiarity comes from pianist Laszlo Gardony’s coaction with his regular rhythm section, bassist John Lockwood and drummer Yoron Israel...
Telecaster-centric album will mix pre-bebop and original songs
After three albums co-billed with his band the Latin Jazz Explosion, percussionist Sammy Figueroa stands on his own for Imaginary World . But not entirely—although his name graces the top of the album cover, a bit farther down it notes “featuring Silvano...
Its fanciful title—guitarist Sheryl Bailey strums, bassist Harvie S plucks—may imply whimsy, but the melodic intricacy created by the duo on this all-originals outing (four by him, six by her) is some seriously heady stuff. Bailey and S never drop the ball—something...
A musician and educator who revolutionized a product line
Like so many baby-boomer jazzmen, Bob Mintzer, during his most impressionable years, took in not only jazz but the radio hits of the day—including the soul, R&B and funk that inspired Get Up! Three of the nine tracks here, sequenced consecutively, are ’60s...
When he died at age 80 in 2007, pianist Sal Mosca had never really received the accolades he deserved—despite having played with the likes of Billie Holiday, Miles Davis, Charlie Parker, Lee Konitz and Warne Marsh. A pianist of great skill and grace, coming...
Led Lighthouse All-Stars, played with Kenton, others
Everybody loves a love song. Countless have been written, and billions of words have been expended on them: why a beautifully sung romantic ballad makes us feel all tingly inside, who sings them most persuasively and why, how come they don’t write ’em like...
Suffered heart attack while performing in France
Nexus is a live recording cut at Philadelphia’s Tin Angel in the mid-1990s. Although the precise date is not noted, that places the gig at most several years after Pat Martino’s triumphant return to playing music, having suffered a brain aneurysm in 1980...
For Afrodeezia , Marcus Miller—who mentions in his liner notes that he’s a spokesperson for UNESCO’s “Slave Route Project”—chose to incorporate musicians and instrumentation associated with various locales historically impacted by slavery. It’s a formidably...
A dedicated musical progressive grounded in the conservatory
A most unlikely and perfectly natural fit
Worked with Sam Cooke, Dr. John, Ellis Marsalis
Alto saxophonist and composer among jazz's most influential figures
About Jeff Tamarkin
Jeff Tamarkin joined the JazzTimes community on Jan 31, 2008