The article about Curt Elling was interesting but, based on the title, I was expecting something a little more normative. As far as I can tell, those “slippery parameters of vocal jazz” were not identified or discussed at all other than in the intro? When does a pop singer who does jazz material cross over to become the real thing? If Mr. Elling has an opinion on that we didn’t get to hear about it.
More Articles in Community Articles
KCC Productions presents Kiki Sanchez' Salsa Jazz Project September 24.
Joe Sample & the Jazz Crusaders
Jazz with Dominican accents and flavours - A reality in South Florida
Tim Hagans Quartet with Don Friedman performs at the KITANO
Chris Hazelton's Boogaloo 7
Kathryn Ballard Shut
Vocalist Hilary Gardner Exhibits Effortless Vocal Brilliance & Sophistication on Her Debut Recording - The Great City
Jason Paul Harman Byrne