I am *not always* using the multi-tonic changes; but I would use some variations when I feel I need them. My composition "Cybernetics" is a good example. It is a mixture of poly-structure of symmetrical scales (A section) and multi-tonic changes (B section - only 4 bars). Check out mm.9-12 of B section. It consists of bVII-bV-III-I tonic movement, which my book defines as SLT.4. Enjoy, Bros!
NOTE: "Cybernetics" can be heard on my album, "Crossings (2009)."
More Articles in Community Articles
REEDS and DEEDS SEXTET plays the music of Rahsaan Roland Kirk
Live Recording THE STONE Features Hideo Yamaki and Bill Laswell. Concert w/Special Guest Dave Douglas at The Drawing Center on 8/19.
'Sweet Basil' + Lester Bowie: 'A Legendary Jazz Club and The Late Versatile Musician Are Celebrated.'
The Extraordinary Love Story of Aye Aye and Fedor
History of the Saxophone
SEVEN BLUE NOTE ARTISTS AMONG HEADLINERS ON THE INAUGURAL SAILING OF THE CONTEMPORARY JAZZ CRUISE