Featured Artist: Martin Loyato
CD Title: Syncretism
Record Label: Syncretism Records
Style: World Music
Musicians: Martin Loyato (trumpet, flugelhorn, vocals, huaca), Jim Mansfield (percussion), Michael Zadok (vocals), Keven Brennan (clarinet, vocals, sax), Gary Fukushima (piano), Joel Peloquin (guitars), Nat McIntosh (tuba, trombone), Damion Corideo (congas, shekere), Tomas Mohr (drums), Nicholas Chase (turntables), Mark Menzies (violin), Justin DeHart (tablas), Severin Behnen (accordion), Howie Shear (trumpet), Andrew Carrig (sax), Petros Sakelliou (piano), Jonah Rosenberg (synthesizer), Tonatiuh Avila (drums, congas), Diego Ripoll (vocals), Davey Chegwidden (congas), Dennis Sullivan (percussion), Katelyn Kenney (vocals) Isaac Lausell (guitar)
In the world of Jazz some artists dedicate their careers to keep the tradition recording new versions of jazz classics. Others, like Martin Loyato keep pushing the genre forward creating new sounds and style fusions.
The title of Martin new album is Syncretism. Syncretism is the union or fusion of different systems of thought or belief. Martin does just that with music on this album.The first track, To free minds starts with arabian melodies and rhythms mixed interesting compuer effects. A cool combination of old and futuristic sounds.
Song for Bunny is more in the tradition of latin jazz, fused with the rock sounds of the electric guitar and the flamenco flavor with the claps sounds.
Martin Loyato is from Argentina so of course the tango is present on this album. Following in the tradition of the great Astor Piazzolla, Mi Tango de hoy is an innovative tango with the addition of turntables and Indian tables on percussion. And Martin trumpet providing the jazz sound.
Demons and Seraphs is fascinating, kind of a cinematic piece with uncommon melodies, harmonies and musical instruments from Bali, Central Java and Sunda.
La ciudad de los angeles is a dance tune that at times sounds like a big band but with a modern feel and latin rhythms. Syncretism has a latin influence also, this time fused with electronic effects and Matin Loyato doing the vocals. In his trumpet solos sounds like Martin is quoting the melodies of Bobby Capo El Negrito Bembon, a song famous in the voice of puertorrican salsa singer Ismael Rivera.
A little stone in the way is a musicalized poem where Martin plays the huaca, a multi-chambered flute. Algo para dar is the more traditional piece on the album. No sound effects here, just Martin horns, the beautiful voice of Katelyn Kenney and the great acoustic sound of of puertorrican guitarrist Isaac Lausell in a track with influences of Bossa Nova.
Tracks: To free minds, Song for Bunny, Mi tango de hoy, Demons and Seraphs, La ciudad de los angeles, Syncretism, A little stone in the way, Algo para dar, For free minds
Artist's Website: http://www.martinloyato.com
Reviewed by: Wilbert Sostre
More Articles by Wilbert Sostre
Chucho Valdés in Concert in Puerto Rico: June 22, 2013
Concert Review: Miguel Zenon’s Rayuela in Puerto Rico
Carolina International Jazz Festival: Swing & More
Ponce International Jazz Festival: 4/27-29/12
The Puerto Rico Heineken Jazz Fest: March 29 - April 1,2012
Mayaguez Jazz Festival: Local Talent Reigns
More Articles in Community Articles
Best of the Best for 2013
London-Based Label RareNoiseRecords Presents a Night of Progressive Music at Shapeshifter Lab, Dec. 13 at 8PM
Preparing For Fame
Kathryn Ballard Shut
New England Conservatory’s Jazz Lab
Tributes continue year after University of the Pacific alumnus Dave Brubeck’s death
Aardvark Jazz Orchestra to Perform Ellington/Strayhorn Nutcracker Suite December 21