Since I premiered my piece at the FONT performance in Ny, I've been getting a lot of questions concerning how I went about writing the suite, so now I shall make a feeble attempt to explain it in typing:
First of all just an explanation about sudoku if you haven't heard of the game. It's basically a numbers game that's based on logic and reasoning. I equate to being a crossword puzzle for numbers.
The object of the game is to fill in each 3x3 box with the numbers 1-9. The numbers can't repeat. The complete columns and rows must also include the numbers 1-9 and not repeat as well. The more number given in the beginning of the game, the easier the game should be for you, but that isn't always the case.
Now for the music part:
I started out by assigning each 3x3 block a key (tonal center). Since there are only 9 3x3 boxes I had to abritrarilly eliminate 3 of the 12 keys. So I decided to eliminate the keys of Bb, D, and F because they are a major 3rd apart and I've written many tunes in those tonal centers thus far. So the first block was assigned the key of Eb, the 2nd one was Ab, and so fourth through the circle of 4ths.
Each number in the 3x3 block now represents a tone in the key of the block. So 1 equaled 1, 5 equaled the fifth, 9 equaled an octave above the 2nd degree.
The suite is broken down into 3 sections. Each section is a mini song cycle with each 3x3 block becoming its' own short (or long) song. For the first section, I took the numbers that the puzzle maker gave me as notes that I could use for the bass line and the numbers that I had to fill in to complete the puzzle as notes that I could use for the melody. For the second part of the suite, I took the numbers that the puzzle maker gave me as notes that I could use of the melody and the numbers I had to fill in as notes I could use for the bass line. For the third part of the suite, I took the numbers from the completed puzzle and used them all for the melody and assigned the key of the 3x3 block as the tonal center for each given section.
The rhythm and harmonic progression of the entire piece was left up to my discretion.
There were a few extra rules that I created for myself to aid in the composing of this piece. When writing out the melodies, the intervallic sequence had to adhere to the first nine numbers in the order in which they appear. For example the first 3x3 block had the numbers 1,9,2,8,3,7,4,6,5 then the notes in the melody had to be in that order. After that, I allowed myself to use octave displacement for the melodic material.
Each note can be repeated as many times as needed.
To aid in a severe case of writer's block for the 2nd and 3rd sections, I decided to allow the use of flats and accidentals for notes in the melody. So instead of only having one choice for each number, I had 3 choices...whooopeeee.
The duration of this piece is between 1:30 and 2 hours. It was alot of fun to rehearse and to perform in public for the first time.
Thanks to my band for their input and generosity.
With music in mind,
Jason Palmer
More Articles in Community Articles
-
"Dreaming of Trains"
Cornelius White -
The Dazzling, The Beautiful, The Eloquent...Rose Bilal
Samantha Richardson -
Tony Adamo and drummer James Gadson
Tony Adamo -
The Incredible Peggy Stern
Samantha Richardson -
"Sweet" Sue Terry
Samantha Richardson -
Seabreeze Jazz Festival to Add Sizzle to Northwest Florida Gulf Coast With Stellar Weekend of Smooth Jazz April 15-18th
Mark Carter

E-mail
Share
RSS
Report
Add a Comment
You need to log in to comment on this article. No account? No problem!