El País de las Maravillas
On his second U.S. recording, 26-year-old Cuban pianist Harold López-Nussa leads his trio—bassist Felipe Cabrera and drummer (and younger brother) Ruy Adrian López-Nussa—through a set composed mostly of the leader’s fresh originals, merging jazz with his European classical training and the rhythms of his homeland. Born into a musical family and educated at the prestigious ISA in Havana, López-Nussa recently gained prominence through the American/Cuban project Ninety Miles featuring Stefon Harris, Christian Scott and David Sánchez. Saxophonist Sánchez appears here on four tunes.
The opening “Guajira,” composed by Ruy Adrian López-Nussa, is a vehicle for a piano-drum dialogue weaving through a lively melody and intermittent claps and whistles that evoke flamenco. “Caminos” has drums and bass laying down a tight groove, López-Nussa and Sánchez playfully and dexterously drifting in and out of unison. The two shine together and apart, on the driving “La Fiesta Va,” the clave-centered “Bailando Suiza” and the vibrant “Volver.”
The title song, meaning “wonderland,” opens with an extended piano solo that blossoms into a winsome soundscape, its memorable theme vocalized as the tune builds then subsides. “E’Cha” is propelled by powerhouse drummer Ruy Adrian, while the breezy ballad “A Camilin,” composed by Cabrera, showcases the skillful and soulful bassist on an extended solo. The trio closes the album with the delicate “Amanecer” (Dawn), featuring Ruy Adrian on vibraphone and cajón.