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  <body>George Garzone&#8217;s Tenor Wisdom

Virtuoso mouthpiece craftsman Jody Espina expands into the instructional DVD market with The Music of George Garzone &amp; the Triadic Chromatic Approach, a comprehensive presentation of the ideas behind the music of Berklee and New England Conservatory instructor George Garzone. Like another Boston jazz legend, George Russell, tenor saxophonist Garzone has developed a practical theory of improvising jazz that melds the &#8220;out&#8221; with the &#8220;in&#8221;&#8212;or, perhaps more accurately, houses both under the same roof. Judging by this thoroughly engaging set, nobody since Russell has done it better. We&#8217;ll not give the entire concept away here, but suffice it to say that it&#8217;s ingenious and not difficult to understand, although it will take a dedicated student many months, or even years, to absorb. The two-CD set includes lessons&#8212;wherein Garzone puts forth his theory in clear, unambiguous language&#8212;as well as play-along tracks, interviews and more. The production values are first class, and the information imparted priceless. The lessons pre-suppose a certain knowledge of conventional jazz techniques, so this isn&#8217;t for beginners. For advanced students, however (and even seasoned pros), this stuff is absolute gold</body>
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  <contributor-id type="integer">214</contributor-id>
  <created-at type="datetime">2009-02-13T15:03:01-05:00</created-at>
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  <issue-id type="integer">136</issue-id>
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  <section-id type="integer">86</section-id>
  <sortdate type="datetime">2009-01-01T00:00:00-05:00</sortdate>
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  <summary>George Garzone&#8217;s Tenor Wisdom Virtuoso mouthpiece craftsman Jody Espina expands into the instructional DVD market with The Music of George Garzone &amp; the Triadic Chromatic Approach, a comprehensive presentation of the ideas behind the music of Berklee and New England Conservatory instructor George Garzone. Like another Boston jazz legend, George Russell, tenor saxophonist Garzone has developed a practical theory of improvising jazz that melds the &#8220;out&#8221; with the &#8220;in&#8221;&#8212;or, perhaps more accurately, houses both under the same roof. Judging by this thoroughly engaging set, nobody since Russell has done it better. We&#8217;ll not give the entire concept away here, but suffice it to say that it&#8217;s ingenious and not difficult to understand, although it will take a dedicated student many months, or even years, to absorb. The two-CD set includes lessons&#8212;wherein Garzone puts forth his theory in clear, unambiguous language&#8212;as well as play-along tracks, interviews and more. The production values are first class, and the information imparted priceless. The lessons pre-suppose a certain knowledge of conventional jazz techniques, so this isn&#8217;t for beginners. For advanced students, however (and even seasoned pros), this stuff is absolute gold</summary>
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  <title>Gigbag: January/February 2009</title>
  <updated-at type="datetime">2009-03-02T00:28:17-05:00</updated-at>
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