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  <body>Listeners who associate the concept of free improvisation with harsh chaos or impenetrable obscurity will be pleasantly surprised by this Las Vegas-based trio, which wanders amiably through seven open-ended yet even-tempered pieces. This grounding is largely due to drummer John Nasshan, who sticks closely to bop-based rhythms and keeps even the knottiest excursions in the pocket. Branco&#8217;s piano pulls in the opposite direction, with deep introspection suggesting modern classical music, while trumpeter Blanton holds the middle ground, balancing tuneful ruminations with bursts of dazzling invention.</body>
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  <contributor-id type="integer">318</contributor-id>
  <created-at type="datetime">2008-07-11T15:03:02-04:00</created-at>
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  <section-id type="integer">125</section-id>
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  <subhead></subhead>
  <summary>Listeners who associate the concept of free improvisation with harsh chaos or impenetrable obscurity will be pleasantly surprised by this Las Vegas-based trio, which wanders amiably through seven open-ended yet even-tempered pieces. This grounding is largely due to drummer John Nasshan, who sticks closely to bop-based rhythms and keeps even the knottiest excursions in the pocket. Branco&#8217;s piano pulls in the opposite direction, with deep introspection suggesting modern classical music, while trumpeter Blanton holds the middle ground, balancing tuneful ruminations with bursts of dazzling invention.</summary>
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  <title>&lt;span class="name"&gt;Monuments&lt;/span&gt;&lt;br /&gt;&lt;span class="artist"&gt;Walt Blanton/Tony Branco/John Nasshan&lt;/span&gt;</title>
  <updated-at type="datetime">2009-03-02T00:27:08-05:00</updated-at>
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