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  <body>From its gurgling church-stomping start to its swirling noirish finale, everything about sax man and bass clarinetist John Ellis&#8217; new record is joyous and bottom heavy, happily cleaving to its thick grooves like a lion cub pawing at its mom. Though Gary Versace&#8217;s rhythm-licking organ riffs and fluid accordion honks guide the ride of the Orleans parish gospel &#8220;All Up in the Aisles&#8221; and percolate through to Ellis&#8217; epic title tune, it&#8217;s tuba/sousaphonist Matt Perrine who acts as the chuckling tenor/soprano axe man&#8217;s best bud, keeping more bounce to the ounce throughout, even when the Ellis-penned Dance is at its slowest. While drummer Jason Marsalis acts with kinetic grace and debonair punctuation skills, Perrine and Ellis pull from the lowdown (the Gypsy-jamming &#8220;Three-Legged Tango in Jackson Square&#8221;) so to throw higher (the epiphanistic &#8220;Dream and Mosh&#8221;). You can sense that Ellis, a Southern gentleman living in New York City, understands the swamp depths and the penthouse suites and has managed a Dance that features both.</body>
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  <contributor-id type="integer">10606</contributor-id>
  <created-at type="datetime">2008-06-13T16:18:08-04:00</created-at>
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  <id type="integer">18019</id>
  <issue-id type="integer">116</issue-id>
  <issue-sortdate>200806</issue-sortdate>
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  <sortdate type="datetime">2008-06-01T00:00:00-04:00</sortdate>
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  <subhead></subhead>
  <summary>From its gurgling church-stomping start to its swirling noirish finale, everything about sax man and bass clarinetist John Ellis&#8217; new record is joyous and bottom heavy, happily cleaving to its thick grooves like a lion cub pawing at its mom. Though Gary Versace&#8217;s rhythm-licking organ riffs and fluid accordion honks guide the ride of the Orleans parish gospel &#8220;All Up in the Aisles&#8221; and percolate through to Ellis&#8217; epic title tune, it&#8217;s tuba/sousaphonist Matt Perrine who acts as the chuckling tenor/soprano axe man&#8217;s best bud, keeping more bounce to the ounce throughout, even when the Ellis-penned Dance is at its slowest. While drummer Jason Marsalis acts with kinetic grace and debonair punctuation skills, Perrine and Ellis pull from the lowdown (the Gypsy-jamming &#8220;Three-Legged Tango in Jackson Square&#8221;) so to throw higher (the epiphanistic &#8220;Dream and Mosh&#8221;). You can sense that Ellis, a Southern gentleman living in New York City, understands the swamp depths and the penthouse suites and has managed a Dance that features both.</summary>
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  <title>&lt;span class="name"&gt;Dance Like There&#8217;s No Tomorrow&lt;/span&gt;&lt;br /&gt;&lt;span class="artist"&gt;John Ellis &amp;amp; Double Wide&lt;/span&gt;</title>
  <updated-at type="datetime">2009-03-02T00:26:10-05:00</updated-at>
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